Goran Bare "Zatvoriti Krug"

"Postoje ljudi koji se jednostavno predaju. A, postoje ljudi koji se jednostavno ne daju. Puste život da ih nosi, nit' misle nit' oko sebe gledaju. ..dvanest mjeseci... i tako godinama dok ne padnu i zatvore krug. Postoje ljudi,koji te varaju Od tvog znoja žive, žive život, i uživaju.. Dosta je, dosta je, dosta je, dosta je... Samo zato jer si vjerovao, Nekad bi nešto i načuo ali bi preko svega prešao... Sad je dosta... Zatvori krug... Bio sam onaj koji spava, bio sam onaj kojeg se vara, A, bio sam onaj koji spava, bio sam onaj koji se vara...Onda sam srca slomljena, dobio poljubac Anđela... A onda sam srca slomljena, dobio poljubac Anđela... Anđela... Anđela... Anđela... Anđela... Znam pobjedi'ću, još malo, pobjedi'ću... Zatvoriti krug... Nikad ne misli na svoj kraj, razlog za život pronađi, daj... Nikad ne misli na svoj kraj, razlog za život pronađi, daj... Poslušaj, pogledaj, Poslušaj, pogledaj... Lijepo je srce otvoriti, nešto lijepo stvoriti, i krug zatvoriti, i krug zatvoriti... i krug zatvoriti, i krug zatvoriti... Jeeeeee,jeee,je.. Jeeeeee,jeee,je.. Jeeeeee,jeee,je.. Jeeeeee,jeee,je..."

Bob Marley's story

Having been considered as the worldwide icon of reggae, Bob Marley has been the pioneer for introducing and bringing Jamaican music to the surface. He had given a prominent contribution to bring reggae to be the center of attention of all people in the world. Therefore, it is undeniable to address him as one of the most distinguished artists of all time. Not only he was an extraordinary musician, but also a Rasta prophet, poetic songwriter, and revolutionary singer who was greatly respected. It was because he has created brilliant and intriguing tunes which deal with humanity, spirituality, brotherhood and peace for all mankind. Although he is no longer in this world, his music undoubtedly still remains eternal and echoes all over the universe.

Bob was born as Robert Nesta Marley on February 6, 1945 in a small village called Nine Miles, Saint Ann, Jamaica. He is the son of a middle-aged British Naval Officer named Norval Sinclair Marley and a native Jamaican teenager, Cedella Booker. Shortly after his birth, his father left the family to Kingston. However, he still gave financial support and occasionally returned to visit his son. Since it was difficult to earn a living, her mother decided to look for an employment in big city. She therefore took 14-years-old Bob along, moving to Trenchtown which located in the west of Kingston. It was in this city that he became friends with Neville “Bunny” Livingstone. Sharing the same interest in music, these two young boys took a class held by Joe Higgs, a famous Jamaican singer. During this time, both of them met and befriended a classmate named Peter MacIntosh or better known as Peter Tosh.



As Bob's desire to become a musician grew deeper, he started to search for any opportunities to achieve his goal. With the help from a young yet successful singer named Jimmy Cliff, he was able to meet Leslie Kong, Beverley's label owner, and auditioned for him in 1962. He then recorded two singles entitled “Judge Not” and “One More Cup of Coffee” which unfortunately turned out in poor result. Nevertheless, this failure did not make him dispirited. Together with Bunny and Peter, he formed a vocal group called Wailing Wailers in 1963. Previously being named “The Teenagers,” the group added 3 more personnel that were Junior Braithwaite, Beverly Kelso, and Cherry Smith. Under the guidance of Joe Higgs and a drummer named Alvin Patterson, the group began their recording for the Studio One label owned by Clement “Coxsone” Dodd. Their first single, “Simmer Down,” surprisingly became a huge hit in Jamaica.

By January 1964, “Simmer Down” had reached number one at JBC Radio Chart and sold for over 80,000 copies. This success was followed by their other tracks, such as “It Hurts to be Alone” and “Rule the Roadie.” Nevertheless, the unity of the group was threatened for Junior, Beverly, and Cherry quitted in 1965. Bob then took the lead vocal position so that the group could still do the recording sessions for the label. Meanwhile, he finally married his long-term girlfriend, Rita Anderson on February 10, 1966, before leaving Wailing Wailers to pursue a better finance in America. He returned to Jamaica by November and reunited with Bunny as well as Peter. They afterwards agreed to rename the group as The Wailers and left Studio One label to establish their own. Using his savings, Bob established Wail 'N' Soul 'M Records while recording a single entitled “Bend Down Low” for his group. To their relief, the single was fairly successful, becoming one of the local hits.

Biography

"I love the development of our music, that's what I really dig about the whole thing. How we've tried to develop, y'know? It grows. That's why every day people come forward with new songs. Music goes on forever."

--Bob Marley, August 1979

We remember the brilliant and evocative music Bob Marley gave the world; music that stretches back over nearly two decades and still remains timeless and universal. Marley has been called "the first Third World superstar," "Rasta Prophet," "visionary," and" "revolutionary artist." These accolades were not mere hyperbole. Marley was one of the most charismatic and challenging performers of our time.

Bob Marley's career stretched back over twenty years. During that time Marley's growing style encompassed every aspect in the rise of Jamaican music, from ska to contemporary reggae. That growth was well reflected in the maturity of the Wailers' music.

Bob's first recording attempts came at the beginning of the Sixties. His first two tunes, cut as a solo artist, meant nothing in commercial terms and it wasn't until 1964, as a founding member of a group called the Wailing Wailers, that Bob first hit the Jamaican charts.

The record was "Simmer Down," and over the next few years the Wailing Wailers -- Bob, Peter Mclntosh and Bunny Livingston, the nucleus of the group -- put out some 30 sides that properly established them as one of the hottest groups in Jamaica. Mclntosh later shortened his surname to Tosh while Livingston is now called Bunny Wailer.

Despite their popularity, the economics of keeping the group together proved too much and the two other members, Junior Braithwaite and Beverley Kelso, left the group. At the same time Bob joined his mother in the United States. This marked the end of the Wailing Wailers, Chapter One.

Marley's stay in America was short-lived, however, and he returned to Jamaica to join up again with Peter and Bunny. By the end of the Sixties, with the legendary reggae producer Lee "Scratch" Perry at the mixing desk, The Wailers were again back at the top in Jamaica. The combination of the Wailers and Perry resulted in some of the finest music the band ever made. Tracks like "Soul Rebel," "Duppy Conquerer," "400 Years," and "Small Axe" were not only classics, but they defined the future direction of reggae.

It's difficult to properly understand Bob Marley's music without considering Rastafari. His spiritual beliefs are too well known to necessitate further explanation. It must be stated, however, that Rastafari is at the very core of the Wailers' music.

In 1970 Aston Familyman Barrett and his brother Carlton (bass and drums, respectively) joined the Wailers. They came to the band unchallenged as Jamaica's HARDEST rhythm section; a reputation that was to remain undiminished during the following decade. Meanwhile, the band's own reputation was, at the start of the Seventies, an extraordinary one throughout the Caribbean. However, the band was still unknown internationally.

That was to change in 1972 when the Wailers signed to Island Records. It was a revolutionary move for an international record company and a reggae band. For the first time a reggae band had access to the best recording facilities and were treated in the same way as a rock group. Before the Wailers signed to Island, it was considered that reggae sold only on singles and cheap compilation albums. The Wailer's first album, Catch A Fire broke all the rules: it was beautifully packaged and heavily promoted. And it was the start of a long climb to international fame and recognition.

The Catch A Fire album was followed a year later by Burnin', an LP that included some of the band's older songs, such as "Duppy Conquerer," "Small Axe," and "Put In On," together with tracks like "Get Up Stand Up" and "I Shot The Sheriff" (which was also recorded by Eric Clapton, who had a #1 hit with it in America).

In 1975 Bob Marley & The Wailers released the extraordinary Natty Dread album, and toured Europe that summer. The shows were recorded and the subsequent live album, together with the single, "No Woman No Cry," both made the UK charts. By that time Bunny and Peter had officially left the band to pursue their own solo careers.

Rastaman Vibration, the follow-up album in 1976, cracked the American charts. It was, for many, the clearest exposition yet of Marley's music and beliefs, including such tracks as "Crazy Baldhead," "Johnny Was," "Who The Cap Fit" and, perhaps most significantly of all, "War," the Iyrics of which were taken from a speech by Emperor Haile Selassie.

In 1977 Exodus was released, which established Marley's international superstar status. It remained on the British charts for 56 straight weeks, and netted three UK hit singles, "Exodus," "Waiting In Vain," and "Jamming."

In 1978 the band released Kaya, which hit number four on the UK chart the week of its release. That album saw Marley in a different mood -- Kaya was an album of love songs, and, of course, homages to the power of ganja.

There were two more events in 1978, both of which were of extraordinary significance to Marley. In April that year he returned to Jamaica (he had left in 1976 after the shooting that had almost cost him his life), to play the One Love Peace Concert in front of the Prime Minister Michael Manley, and the then Leader of the Opposition Edward Seaga. And at the end of the year he visited Africa for the first time, going initially to Kenya and then on to Ethiopia, spiritual home of Rastafari.

Marley returned to Africa in 1980 at the official initation of the Government of Zimbabwe to play at that country's Independence Ceremony. It was the greatest honor afforded the band, and one which underlined the Wailers' importance in the Third World.

In 1979 the Survival LP was released. A European tour came the following year: the band broke festival records throughout the continent, including a 100,000 capacity show in Milan. Bob Marley & the Wailers were now the most important band on the road that year and the new Uprising album hit every chart in Europe. It was a period of maximum optimism and plans were being made for an American tour, an opening slot with Stevie Wonder for the following winter.

At the end of the European tour, Bob Marley & The Wailers went to America. Bob played two shows at Madison Square Garden but, immediately afterwards he was seriously ill. Cancer was diagnosed.

Marley fought the disease for eight months. The battle, however, proved to be too much. He died in a Miami Hospital on May 11,1981.

A month before the end Bob was awarded Jamaica's Order of Merit, the nations' third highest honor, in recognition of his outstanding contribution to the country's culture.

On Thursday, May 23,1981, the Honorable Robert Nesta Marley was given an official funeral by the people of Jamaica. Following the funeral -- attended by both the Prime Minister and the Leader of the Opposition -- Bob's body was taken to his birthplace where it now rests in a mausoleum. Bob Marley was 36 years old. His legend lives on.

Concert Series

Rarely was Bob Marley as nostalgic, emotional and uplifting as he was when singing the classic song, "No Woman, No Cry."

From the first part of the song, in which he reminisces back to his rough childhood in the Kingston, Jamaica ghetto known as Trench Town to the echoes of "Everything's gonna be alright" at the end, the song is a reggae masterpiece. It's also vintage Bob - an inspiration for generations of Rastafarian brethren and fans of good music.

"No Woman, No Cry," which was originally released on the 1974 album Natty Dread and was popularized even more around the world with its stunning, seven-minutes-plus version on the 10-times-platinum Legend compilation in 1984, was a standout in almost every one of Bob's concerts, making it a perfect choice as the fifth installment of the Concert Series at BobMarley.com.

Once again, we catch Bob and his legendary band, the Wailers, at the height of their musical powers in a show at the Rainbow Theatre in London on June 2, 1977.

Slowing it down into a more passionate, drawn-out trance-like rendition resonated more with audiences than the peppy original studio version, which clocks in at just over four minutes in length. Junior Marvin and the I-Three backup singers shine as usual, but Bob and his lyrics are the real stars.

"I remember when we used to sit/in the government yard in Trench Town," sings Bob. "Observing the hypocrites/As they would mingle with the good people we meet./Good friends we have, oh, good friends we've lost along the way./In this great future, you can't forget your past; So dry your tears, I say."

It's a typical Bob composition - a tale of inspiration and love despite the harsh reality of impoverished, hopeless conditions surrounding him. While Bob actually wrote the song, he credited it to Vincent Ford, who helped keep the young, struggling singer nourished with food from his soup kitchen. By listing Ford as the writer, Bob ensured that his old friend would be paid back with royalties.

The heavy reggae groove, beautiful melody, strong lyrical content and power of the repetition of the chorus made "No Woman, No Cry" a hit for Bob and the Wailers in Great Britain and eventually around the world, and the song's timelessness continues to resonate. It has been covered by artists as talented and diverse as Joan Baez, Blues Traveler, Jimmy Cliff, the Fugees, Hugh Masekela and Graham Parker, among many others.

Bob Marley

Farley on Bob Marley as National Hero

By Christopher John Farley / BobMarley.com

As National hero, Marley would follow in the footsteps of figures such as Marcus Garvey and Paul Bogle

Should Bob Marley be a National Hero of Jamaica?

That was the question before us at the Central Library in Brooklyn on Feb. 22. The discussion was part of the ongoing Caribbean Dialogue Series, hosted by Ian Forrest. As author of the Caribbean-themed novel "Kingston by Starlight" and the biography "Before the Legend: The Rise of Bob Marley," I was the featured guest of the session. I was brought in to offer my expertise on the subject of Jamaica. Instead, I often wound up listening, with interest, to the passion expressed by many of the audience members about the issue in question.

It had been a rainy night in New York City, with the temperature hovering at just above freezing. I had thought that few people, if any, would show up for the event. After all, it was a very un-Jamaican day. Instead, the room in the Brooklyn library where the talk was held with filled up with pretty much every seat taken-there were young folks and old ones; Joe Higgs's sister was said to be in attendance and there were children laughing and mouthing the words to the Bob Marley videos that were shown before the event formally kicked off.

Ian Forrest, the founder and host of the Caribbean Dialogue series, began by posing the question of the day: Should Bob Marley be a National Hero of Jamaica? So far, the government of Jamaica has failed to move on the issue.The island, he pointed out, has seven official national heroes. The first was Marcus Garvey, the Pan-African leader and visionary. The others are Paul Bogle and Sam Sharpe (rebel leaders), Alexander Bustamante and Norman Manley (prime ministers), George William Gordon (a politician and orator), and Nanny of the Maroons (a female revolutionary).

Bob Marley's life story is intimately connected with all of these National Heroes. He adopted some of the philosophy of Marcus Garvey, who is a revered figure to many of the Rastafari faith. He wrote a lyric about Paul Bogle in his song "So Much Things to Say." He famously brought together Bustamante and Manley during a unity concert. And, through his work, he carried on the spirit of justice found in Gordon's work and the spirit of revolution in Nanny's successful campaign against the British.

When it was my turn to speak, I talked about the need for heroes. For example, where are all the black superheroes? As a parent of a 1-year-old girl and a 4-year-old boy, I searched hard to find cartoons featuring heroes of color, like John Henry and Green Lantern (he's black in one animated TV series). I talked about how, when I was growing up (and it's still true today), my parents and my brothers were my heroes. I also admired, among others, Frantz Fanon, Malcolm X, Jimi Hendrix, Lao Tse, Homer, Eugene O'Neill, Phillis Wheatley, Claude McKay, Ursula K. Le Guin, Peter Tosh-and Bob Marley. The greatest heroes, I said, represent the best of who we are. They also represent some of the qualities that we aspire to develop in ourselves.

That's why Marley is such a perfect hero. He and his bandmates in the Wailers came from almost nothing and made it big. They made their own instruments, out of things like cans and string and wire. They created arguably the best debut recording ever with a budget that would barely pay for catering for other top musical acts of the time. They made it out of Nine Miles and Trench Town and Jamaica and became superstars in London and New York and Tokyo and Cape Town.

When we opened the topic up for questions and answers, there were many different opinions. It was, of course, a pro-Marley crowd - are there any other kinds? - but not everyone thought Marley should be a national hero. Some thought Marley was too much a man of the people to accept an accolade from the government. Others thought that Marley was already a hero among ordinary folks so what good would an official honor do? Still others argued that Marley was already a de facto National Hero since his music and image had been used to promote Jamaica around the world.

The night ended with few answers, plenty of interesting questions, lots of good Jamaican food (served during a break) and the music of Marley echoing in our ears as we headed out into a February night that had somehow become a little warmer. Marley had, perhaps, brought a little of the Caribbean to Brooklyn. The reggae star may not be a National Hero in Jamaica yet, but he was a hero to everyone at the session that evening.